
Indianapolis, here we come!
Your handwriting. The way you walk. Which china pattern you choose. It's all giving you away. Everything you do shows your hand. Everything is a self-portrait. Everything is a diary.
-Chuck Pahlaniuk Diary:A Novel
When craving jangly folk rock with falsetto harmonies I'll take this record over 'Fleet Foxes" any day of the week. Moody melodies, clever songwriting, retro guitar sounds with a very subtle but solid rhythm section. These songs will be spinning for quite a while.
There's a breakdown in the song "Salute Your Solution" where the bass guitar is drenched in distortion riffing in front of incredibly deep drum groove, the vocals enter:
Probably the most lauded indie record of the year landing it #1 on lists from Rolling Stone, Spin, and The A.V. Club and for good reason. Its so hard to describe TVOTR, I can only try by saying they are an experimental art rock band, they cover so many idioms and reach for so many different things yet are grounded by Tunde Adebimpe's (who starred in the movie Rachael Getting Married as the husband-to-be, btw) haunting falsetto, creative samples, and grinding drums. It is so artful yet groovy, its no wonder why critics love them. 'Dear Science' is their most melodic effort to date proving the band can crank out a hook with the best of them. While the melodies are softened, their edge is not. This is a great record from a truly great band.
This is my favorite jazz record in a long time. It is unique in that the focus is on the broad, sweeping, and epic compositions. The melodies are song-like and beautiful set behind slow backbeat grooves. Blade is a drummer of the highest caliber and while there isn't as much of a focus on improvisation in most of the tunes, each member of this fantastic ensemble still shines. I can't say enough about the writing and group concept on this album. This is only the second Fellowship record in the past ten years, hopefully we won't have to wait that long for another.
Solid second record from MC/vocalist Cee-Lo and DJ Danger Mouse. I love the way this group blends beats and songwriting. Cee-Lo's vocals get stronger as well.
Not much to say about this one, just a good hip-hop record from legendary Oakland underground MC Del. Best rap record of the year.
I'm cheating with this one because while Scheinman simultaneously released both records they are quite different from each other. 'Crossing ...' is the violinist's collection of original compositions featuring a fantastic band and string arrangements. She is one of the most unique composers and soloists in jazz and it shows with this record. At the other end of the spectrum, her eponymous release features not her violin but her voice. It is a collection of Americana featuring traditional folk tunes, songs by Lucinda Williams and Tom Waits among others, and originals. Her voice recalls Carly Simon and while not the most gifted singer around the honesty in her voice lends itself well to these songs.
I've been waiting for this supergroup of Metheny, Christian McBride, and Antonio Sanchez to record for a couple of years now and they've finally delivered. Metheny has a very specific and unique composing style and the players augment his tunes wonderfully; great solos, great group interaction. The Live EP is even more dynamic than the LP.
Most of us cringe when we hear about actresses turning to singing but Zooey Deschanel did it splendidly. She sings (reminding me of Neko Case at times) and wrote all of the songs but country/folk producer M. Ward really shines throughout the record. Its a blend of 60's pop, country tunes, and melodic folk ... a really fun album that landed them at #1 on Paste's year-end list. I can't wait for Volume 2.
Member of seminal hip hop group Living Legends and one half of L.A./Minneapolis act Felt, Murs has been a big figure in underground L.A. hip hop for some time now. I should note for those of you who aren't familiar with a lot of rap that this isn't like the stuff you see on MTV. 'Murs for President' (along with the other hip hop records on this list) isn't about "bling and bitches". Its intelligent rap ("The Science" is fantastic urban social commentary) with creative beats and rhymes. This is Murs first record on a big label. I don't think it made as big of a splash as it should have.
Black Kids became an indie sensation with their first EP 'Wizard of Ahhs ...' which was only available on MySpace and at their live shows. For this, their label debut, the ditched the lo-fi experimental sounds of the EP and polished up their tunes to attempt some pop success. What followed was an unfair online backlash particularly from music site Pitchfork who was among the first to champion them (although it did land at #4 on The New York Post's Year End List). I dig the record, not as much as the EP, but there are some good retro pop tunes here with interesting lyrics.
In contrast, Fleet Foxes' debut has been the subject of media praise landing them #1 on lists from Stereogum and Pitchfork. There are few albums you will hear more glowing reviews about. I like the record. The ethereal vocals and folk-ish melodies are nice although I think some are a bit over-impressed by the harmonies. My biggest gripe? No groove, baby.
No Age are indie-media darlings as well. They are an experimental punk drum/guitar duo from L.A. who have crafted an original sound around the scene at downtown club The Smell. I appreciate the record like a work from a modern sculptor. Fascinating in its artistic endeavor but nothing I'd want to listen to or look at every day.
Yamagata's sophomore record is more subdued and maudlin than her first, but the melodies and songwriting are good enough to ensure that the slow tempos and mood don't make everything sound the same. There's a great duet with Ray LaMontagne.
#12 in the 'Bad Clown' series of EPs from the Minneapolis-based hip-hop group Atmosphere. Comprised of rapper Slug and DJ Ant, Atmosphere has been on the scene for a long time cranking out great tracks. They also released a full-length LP this year "When Life Gives You Lemons Paint That Shit Gold" which I need to check out.
I've blogged about Margot numerous time before. The Indy-based Indie band's debut 'The Dust of Retreat' ranks among my all-time favorites. After recording a large batch of tunes for their big label debut, the band and record company were at odds as to what to release. The band chose the songs for the album 'Animal' which is only available on vinyl. 'Not Animal' is the collection of songs the label chose. The record is good, but I feel like I'm missing out and wonder if it could be even better had their been a more singular vision. 'The Daytrotter Sessions' is a fantastic live acoustic set from the band. I hope there are more records in these guys' future, they are one of the great indie acts around.
This trio has been at it for a long time. This live record by no means re-invents the band but it is nonetheless a great collection of tunes featuring some great playing.
Get Awkward is a female-fronted punk band from Nashville, lots of rockin' fun, great melodies, great spirit. 'Get Awkward' is their second full-length LP. The accompanying EP is comprised of songs "too violent" to put on the LP so the label would only release it online (sounds like a marketing ploy to me). In a true punk move, the band broke up mere months after the album was released.
After over a decade and over $14 million in recording costs, we were finally privy to the much-delayed 'Chinese Democracy'. I expected the worst. How good could it be if Axl didn't want to release it? To my surprise this is a solid rock record throughout. Good songs, good riffs, good solos, good singing. I suspect that all of the delays allowed Axl to tinker with the tracks for too long because much of it sounds over-produced. It does lack the strong melodies and hooks of other GnR records but the artistic spirit of the 'Use Your Illusions' records is taken to the next level.
Steinski is a highly influential hip-hop DJ active in the 80s. He was a part-time musician with a full-time job, after winning a re-mix contest from Tommy Boy Records in 1983 he started re-mixing records in his free time and many DJ greats site him as an influence. His tracks are collected here for the first time (and perhaps the last due to licensing issues ... ahh, the golden age of sampling!)
Living Legends is a collective of MCs and DJs primarily from the West Coast including greats like Murs and Aesop. Their tracks are definitive West Coast underground hip hop. 'The Gathering' is solid through and through.
Westerberg is the lead singer for post-punk icons The Replacements, this solo outing is one continuous track that strings together songs with interesting and experimental production. From Wiki: "On July 17, 2008 it was announced that on "June 49" (July 19) Paul Westerberg would release an album with 49 minutes' worth of music for 49 cents. The album, 49:00... Of Your Time/Life, was released on July 21, 2008. A few weeks after 49:00 was released, it was taken down from Amazon.com and TuneCore store. In its place, Westerberg released a song titled "5:05" (in reference to the fact that 49:00 was really 43:55 long, 5:05 shorter than 49:00). From the lyrical content of "5:05," it is believed that 49:00 was recalled due to copyright issues in the ending cover medley."
Bassist/vocalist Spalding was the "it" girl in jazz this year, much hype accompanied her debut even performing on Letterman. She incorporates world rhythms and sings in different languages. Its a good record, but it may be more hype than hip. I've heard her live show is fantastic though.
If you've never heard Noise Pop before Times New Viking is quite exemplary. Pop hooks combined with lo-fi, dirty, loud guitar riffs and sounds. Good stuff but the EQ on the record can be a bit much after a prolonged listening.



I saw her at the Village Vanguard and she knocked my socks off, besides being a great musician she is just gorgeous with an uncommonly handsome face and the body of a model. Her looks are only part of her stage presence though, she is truly captivating while playing. You might remember me gushing over a pianist named Jason Moran in the past, well Jason is in her band and it was my first time seeing him live too. The show was fantastic and one of the best I've seen in a while.